The double Celtic spiral can symbolize the duality of things, infinite life and is considered the equivalent of Yin-Yang of oriental culture.įor the Celts, the spiral also represented the the passage of time and the movement of stars and was used for making calendars.Īnother spiral often used in tattoos is the golden ratio, the Fibonacci sequence. It can also represent the manifestation of divine energy and the opening to the energetic plane of the gods. Some examples are: the beginning, the end, and the eternal evolution body, soul, and mind heaven, earth, and sea strength, wisdom, and love. The Triskle, a triple spiral from Celtic culture, represents the triads of life in perpetuity movement and balance. It is believed that prehistoric man drew spirals to represent the cycle of birth, death and rebirthIt could also be a sun, which rises and is reborn every day. The spiral is very much linked to life cycles. Its starting point is also its ending point, demonstrating that in life we can always find ourselves again and renew ourselves. Life is compared to a spiral, for its paths meet, move apart, intertwine, and return to their origins. The Spiral Data Tato (A4 Version) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 License.Spiral is a symbol of movement, just as the universe is constantly changing. The Spiral Data Tato (American Letter Paper Version) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 License. Until they leave their heathenish ways and convert to a less arbitrary, more humanist system of measurement such as US Customary or Roman Imperial, we must make allowances. It’s called PHPSlideShow v0.9 and was written by Greg Lawler.)Īnd I also realize that most of the world still languishes under the conceptual hegemony of the Vichy metric system and does not know from inches and pounds. (In the interests of fair play, I’ll mention that I got this script from Zinkwasi. I still haven’t gotten around to diagramming it, but here’s a slideshow that explains how to do it from scratch. If you want something simple and elegant, I will recommend Tom Hull’s American CD Case. It’s not elegant – the math here is a sort of brute force arithmetic to get to the right diameter. (An Origami Zipper®? Sure, wherefore not?) Plus, it’s mailable without using any sticky sealers. But this one has a zipper so you can do it up again. It’s a sort of tsutsumi, you know, that fancy Japanese gift wrapping that’s so pretty and complicated that you’re afraid to open it. It’s made with American letter paper, the old 8½ × 11 medium I’m so fond of. I came up with several ideas, but I liked this one best. I began to think of ways to make an inviting CD holder cheaply at that meeting. I’m now at a heavily endowed liberal arts college and those Corporate kids are off robbing somebody else’s pension fund. The whole thing is moot now – the call center is gone and the telecom is long since out of money. Those Corporate kids really could pound dollars down a rat hole when they put their minds to it. Later on, they switched to an S&M theme that was even more offensive, yet even less successful at capturing customers. I tried to get across to her that it wasn’t that we didn’t understand these lofty concepts, it was just that we thought Corporate was dead wrong. She explained the psychological underpinnings of the ad campaign and hinted around some about our undeniable provincialism and lack of marketing education. The nice young woman from Corporate began to speak very slowly and distinctly, as if she were talking to some particularly backwards third graders. The manager of our call center said that these Welcome Kits weren’t terribly welcoming and most of us agreed warmly – nobody wants to do business with neo-Nazis. We were spending several dollars a piece for Welcome Kits – just a fancy holder for a CD containing our ISP’s dialers and other people’s software. The campaigns looked like something out of Weimar Germany, all red and black and sepia-tint – not the nice parts of Weimar Germany, you dig. (Hell, I’m proud of it – it’s not like I got fat and rich off my idiocy.) The theme of the telecom’s advertising at the time was Soviet Constructivism and you can guess how many units that moved. It was at the height of the dot-com idiocy and I must admit, I was being just as idiotic as the next chap. It all started in a Marketing and Recruiting meeting at this telecom call center I was working for. Update: now there’s an tutorial with video and everything! Origami, Aesthetics and Natural History.
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